Automotive.
Automotive content lives or dies on craft. Get the camera work, the locations and the pace right, and a car review or launch film becomes something people genuinely want to watch.
What's includedCars are one of the most demanding things to film well. The angles that make a vehicle look fast standing still, the choreography of a car-to-car shoot at speed, the light that makes paintwork sing, none of it happens by accident. It takes riggers who know how to mount a camera safely at 70mph, drivers who can hold a precise line for take after take, and an edit that understands rhythm as much as it understands horsepower.
At Klaxon, automotive is where a lot of our team cut their teeth, and it shows. We've shot everything from official manufacturer launch films and multi-day international press drives to fast-turnaround car reviews and social-first content for dealerships and aftermarket brands. We know the specific demands of automotive production: closed-road logistics, tracking vehicles, low-loaders, drone-to-ground handoffs, and the insurance and safety planning that has to sit behind all of it.
We work with manufacturers, dealership groups, motoring publications and automotive brands to produce content that respects what makes a car genuinely interesting, not just a spec sheet read aloud over b-roll. Whether that's a car-to-car chase sequence, a static studio reveal, or a presenter-led review shot on location, we bring the same technical rigour and the same eye for what makes a vehicle worth watching.
If it has an engine, a badge and a story worth telling, we want to film it.
Yes, extensively. Car-to-car filming requires specialist rigging, experienced precision drivers and careful safety planning, and we've built up real expertise in this over many productions. We handle the logistics of closed-road access, tracking vehicles and camera cars, and we work with accredited rigging and safety teams throughout.
Yes. We've worked on official launch films and press drive content for major manufacturers, which comes with its own set of demands, brand guidelines, embargo dates, technical accuracy on specifications, and a level of visual polish that has to match the manufacturer's own marketing. We're comfortable operating within those constraints.
A car review is typically presenter-led and editorial in tone, walking an audience through the driving experience, the design and the specification, often for a publication or platform's own channel. A launch film is a more controlled, brand-owned piece introducing a new model, usually with tighter creative direction from the manufacturer. We produce both, and the approach to camera work, pacing and tone differs accordingly.
Yes. We've filmed at circuits including Goodwood and other motorsport venues, covering everything from track day content to event coverage. We understand circuit access requirements, marshalling and the safety protocols that come with filming live motorsport.