Films worth watching.worth watching.

This page shows a representative spread rather than a complete archive of everything we've made. Client confidentiality plays a real part in that: some of our most significant, longest-running relationships sit under NDA and can't be shown publicly at all, which means what you're seeing here skews toward projects where the client was happy for the work to be used as a public case study. We try to keep a genuine mix across sectors and formats rather than over-representing whichever type of project happened to be shot most recently, so this page reflects breadth of capability as much as individual highlights.

Yes, and this is genuinely one of the more useful conversations to have before a brief goes out. Get in touch and we can share further examples relevant to your industry, including work that isn't listed publicly here for confidentiality reasons. Seeing sector-specific reference points tends to give a much clearer sense of how we'd actually approach your project than browsing the general portfolio alone, particularly if your industry has specific compliance, tone or stakeholder considerations that a generic showreel won't demonstrate.

A mix of both, and the balance shifts depending on what a project actually needs. Our core team handles direction, production management and post-production on every job, giving continuity and accountability throughout. Alongside that, we bring in trusted freelance specialists, camera operators, colourists, sound engineers, when a project calls for a particular skill set, a larger crew than we'd carry permanently, or specific technical experience we want matched precisely to the brief. This approach lets us scale up for a six-week international documentary shoot just as easily as we handle a single-day local production, without carrying unnecessary overhead on smaller jobs.

Ownership and usage rights vary depending on the agreement in place for each individual project, since different clients and industries have different needs here, some want full unrestricted ownership of raw footage, others are primarily concerned with rights to the final edited deliverable across specific platforms. We're happy to discuss and agree this upfront before any filming begins, rather than leaving it as an assumption on either side, since getting it wrong after delivery tends to create far more friction than addressing it properly at the brief stage.

Yes, we're happy to put you in touch with clients relevant to your sector or the type of project you're planning. Hearing directly from someone who's been through the process with us, particularly around how we handled logistics, communication and any unexpected challenges on the day, often gives a more honest picture than a portfolio piece alone can. We'd rather a prospective client felt genuinely confident going into a brief than oversell our own capabilities and risk a mismatch in expectations later.

Both, and the two relationships work quite differently in practice. Some of our work comes through creative or marketing agencies who bring us in specifically for production, handling the creative concept and client relationship themselves while we focus on directing, filming and editing to their specification, our ongoing work with Rapp on Barclays' content is a good example of that model. Other clients brief us directly, in which case we're often more involved in shaping the creative approach from the outset rather than just executing someone else's vision. Neither arrangement is a lesser way of working with us, they simply call for a different level of creative involvement on our side.